Introduction | ||
Kirsten Wolf and Keith Busby | 3 | |
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Writing in the Margins: Norse Arthurian Sagas as Palimpsests |
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Norris J. Lacy | 5 | |
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'Eveyone thought it very strange how the man had been shaped': The Hero and His Physical Traits in the Riddarasögur |
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Claudia Bornholdt | 18 | |
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Translation or Adaptation? Parcevals saga as a Result of Cultural Transformation |
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Suzanne Marti | 39 | |
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Cognitive Dysfunction in Dínus saga drambláta and Le Roman de Perceval |
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Geraldine Barnes | 53 | |
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Ectors saga: An Arthurian Pastiche in Classical Guise | ||
Marianne Kalinke | 64 | |
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Tristram: From Civilizing Hero to Power Politician | ||
Hans Jacob Orning | 91 | |
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The Matter of blár in Tristrams kvæði | ||
Natalie M. Van Deusen | 109 | |
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THE ROUND TABLE | 118 | |
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REVIEWS | ||
Christine Ferlampin-Acher, Perceforest et Zéphir: Propositions autour d'un récit bourguignon |
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Denyse Delcourt | 124 | |
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Bettina Bildhauer, Filming the Middle Ages | ||
Kevin J. Harty | 125 | |
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Andrew B.R. Elliott, Remaking the Middle Ages: The Methods of Cinema and History in Portraying the Medieval World |
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Kathleen Coyne Kelly | 127 | |
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Joerg O. Fichte, From Camelot to Obamalot: Essays on Medieval and Modern Arthurian Literature |
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Kevin J. Harty | 128 | |
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Kevin J. Harty, ed., The Vikings on Film: Essays on Depictions of the |
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Shaun F.D. Hughes | 129 | |
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Karen Jankulak, Writers of Wales: Geoffrey of Monmouth | ||
Andrew Breeze | 135 | |
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Marianne E. Kalinke, ed., The Arthur of the North: The Arthurian Legend in the North and Rus' Realms |
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Shaun F.D. Hughes | 136 |
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Dana M. Oswald, Monsters, Gender and Sexuality in Medieval English Literature | ||
Jeffrey Jerome Cohen | 142 | |
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