| Introduction
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3 |
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| Lovespell and the Disinterpretation of a Legend |
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5 |
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| Fear of Flyting: The Absence of Internal Tension in Sword of the Valiant and First Knight |
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| Robert J. Blanch and Julian N. Wasserman |
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15 |
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| Distancing Techniques in Chrétien de Troyes's Li Contes del Graal and Eric Rohmer's Perceval le Gallois |
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33 |
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| Re-Framing Perceval |
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45 |
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| Looking for Arthur in All the Wrong Places: A Note on M. Night Shyamalan's The Sixth Sense |
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57 |
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| Reviews |
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| Rob Ballard, director, Arthur, A King by Anthony Peters |
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63 |
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| Stephanie L. Barczewski, Myth and National Identity in Nineteenth-Century Britain: The Legends of King Arthur and Robin Hood |
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65 |
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Michelle P. Brown and Scott McKendrick, eds., Illuminating the Book: Makers and Interpreters. Essays in Honour of Janet Blackhouse
Michael Camille, Mirror in Parchment: The Luttrell Psalter and the Making of Medieval England |
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66 |
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| Michael Crichton, Timeline |
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69 |
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| Dyan Elliott, Fallen Bodies: Pollution, Sexuality & Demonology in the Middle Ages |
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71 |
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| Jody Enders, The Medieval Theater of Cruelty: Rhetoric, Memory, Violence |
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72 |
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John France, Western Warfare in the Age of the Crusades
Mark P. Donnelly and Daniel Diehl, Siege: Castles at War |
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75 |
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| Eric John, Reassessing Anglo-Saxon England |
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| Katherine O'Brien O'Keefe |
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77 |
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| Marianne E. Kalinke, ed., Norse Romances |
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78 |
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| Richard W. Kaeuper and Elspeth Kennedy, eds., The Book of Chivalry of Geoffroi de Charny |
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80 |
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| Ruth P. M. Lehmann, Blessed Bastard: A Novel of Sir Galahad |
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82 |
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| Alicia Snow, The Song of Guinevere: A Defense of Arthur¹s Wife in Verse |
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83 |
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| Brief Notices |
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Neil Barron ed., Fantasy and Horror
Stephen Knight, ed., Robin Hood: An Anthology of Scholarship and Criticism
Lois Potter, ed., Playing Robin Hood: The Legend as Performance in Five Centuries |
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85 |
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