| Introduction |
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3 |
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| Comedies of Contingency: Language and Gender
in the Book of Sir Tristram |
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5 |
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| King Arthur Goes to War (Singing, Dancing, and Cracking
Jokes):
Marcel Varnel’s 1942 Film King Arthur Was A Gentleman |
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17 |
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| Comedic Preludes to Lancelot’s ‘unhappy’ Life
in Malory’s Morte Darthur |
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26 |
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| The Animation of Marginal Decorations in Monty Python
and the Holy Grail |
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45 |
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| A Fool of a Knight, a Knight of a Fool: Malory’s
Comic Knights |
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59 |
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| Reviews |
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Roberta Anderson and Dominic Aidan Bellinger, eds.,
Medieval Worlds:
A Sourcebook
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75 |
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Review ] [ Subscribers Only ] |
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| Dorsey Armstrong, Gender and the Chivalric Community
in Malory’s Morte d’Arthur |
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77 |
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79 |
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| Keith Busby, gen ed., and Roger Dalrymple, assoc. ed.,
Arthurian Literature, XX |
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81 |
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Diana Durham, The Return of King Arthur: Finishing the
Quest for Wholeness
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82 |
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| Sharon Farmer and Carol Braun Pasternack, eds., Gender
and Difference in
the Middle Ages |
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84 |
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Alan J. Frantzen, Bloody Good: Chivalry, Sacrifice,
and the Great War
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86 |
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| Patricia Ingham and Michelle R. Warren, eds., Postcolonial
Moves: Medieval
Through Modern |
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88 |
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| Richard J. Moll, Before Malory: Reading Arthur in Later
Medieval
England |
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91 |
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92 |
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| Eve Salisbury, Georgina Donavin, and Llewelyn Price,
eds., Domestic Violence
in Medieval Texts |
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94 |
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Review ] [ Subscribers Only ] |
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Stephen H.A. Shepherd, ed., Le Morte Darthur or the
Hoole Book of Kyng
Arthur and of His Noble Knyghts of the Rounde Table: Authoritative Text,
Sources and Backgrounds, Criticism
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96 |
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99 |
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