Middle Dutch Arthurian Romances:
What are They and Why should We read Them? |
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1 |
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The Uses of Middle Dutch Arthuriana |
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3 |
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Intertextuality and Gauvain |
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13 |
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Hi sette sijn vechten an hare minne: Love and Adventure
in Die Wrake van Ragisel |
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26 |
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Reconfiguring Wace’s Round Table: Walewein and
the Rise of the National Vernaculars |
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39 |
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59 |
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Reviews |
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Jeanette Beer, Beasts of Love:
Richard de Fournival’s
Bestiaire d’amour and a
Woman’s Response |
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64 |
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Nigel Bryant, The Legend of the Grail |
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65 |
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Martha W. Driver and Sid Ray, eds., The Medieval Hero
on Screen:
Representations from Beowulf to Buffy |
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67 |
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Laurie A. Finke and Martin B. Shichtman, King Arthur
and the Myth of History |
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68 |
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Geraldine Heng, Empire of Magic: Medieval Romance and
the Politics of Cultural
Fantasy |
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71 |
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Eric Idle and John du Prez, Monty
Python’s Spamalot |
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Debra N. Mancoff / Kevin J. Harty |
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73 |
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Eric Idle and John du Prez, Monty Python’s
Spamalot |
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74 |
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Barbara Tepa Lupack, ed., Adapting the Arthurian Legends
for Children:
Essays on Arthurian Juvenilia |
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76 |
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Daniel P. Nastali and Philip C. Boardman, eds., The
Arthurian Annals,
The Tradition in English from 1250–2000 |
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77 |
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Stephen W. Richey, Joan of Arc: The Warrior Saint |
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79 |
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Gregory B. Stone, The Ethics of
Nature in the Middle Ages: On Boccaccio’s
Poetaphysics |
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80 |
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Kelley M. Wickham-Crowley, Writing
the Future, Laæamon’s
Prophetic History |
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82 |
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Brief Notice |
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François Amy de la Bretéque, L’imaginaire
médiéval dans le cinéma occidental |
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83 |
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Notice ] [ Subscribers Only ] |
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