Table of Contents
(21.2)
| Introduction | ||
| Alan Lupack | 3 | |
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'Recalled to Life': King Arthur's Return and the Body of the Past in Nineteenth-Century England |
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| Megan L. Morris | 5 | |
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| All Dressed Up: Revivalism and the Fashion for Arthur in Victorian Culture | ||
| Inga Bryden | 28 | |
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| Sacred Relics: Travelers and the Holy Grail | ||
| Roger Simpson | 42 | |
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| The Arctic Arthur | ||
| Stephen Knight | 59 | |
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| Popular Images Derived from Tennyson's Arthurian Poems | 90 | |
| Alan Lupack | ||
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| The Round Table | 119 | |
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| REVIEWS | ||
| Laurie A. Finke and Martin B. Shichtman, Cinematic Illuminations: The Middle Ages on Film | 125 | |
| Kevin J. Harty | ||
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| Melissa Furrow, Expectations of Romance: The Reception of a Genre in Medieval England | 126 | |
| Michael Foster | ||
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| Tadahiro Ikegami, trans., Sir Gawain and the Green Knight | 128 | |
| Kuniko Shoji | ||
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| Rhiannon Purdie, Anglicising Romance: Tail-Rhyme and Genre in Medieval English Literature | 130 | |
| Rosalind Field | ||
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Corinne Saunders, Magic and the Supernatural in Medieval English Romance |
131 | |
| Carolyne Larrington | ||
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