Table of Contents
(23.2)
| The Arthurian Opera by Isaac Albéniz and Francis Money-Coutts (1852–1923): Libretto Translation Theories Applied to Merlin | ||
| Juan Miguel Zarandona | 3 | |
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La fin de Merlin dans la Suite du Roman de Merlin, son adaptation espagnole, le Baladro del sabio Merlin, et trois romans de chevalerie espagnols |
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| Rosalba Lendo | 20 | |
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| The Devil’s in the Detail: Translating Merlin’s Father from the Merlin en Prose in Paulino Pieri’s Storia di Merlino | ||
Laura J. Campbell |
35 | |
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| Ruled by Merlin: Mirrors for Princes, Counseling Patterns and Malory’s ‘Tale of King Arthur’ | ||
| Louise Boyle | 52 | |
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| REVIEWS | ||
| David Clark and Kate McClune, eds., Arthurian Literature XXVIII, Blood, Sex, Malory: Essays on the Morte Darthur | ||
| Kenneth Hodges | 67 | |
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| Karl Fugelso, ed., Studies in Medievalism XXI: Corporate Medievalism II | ||
| Roberta Davidson | 68 | |
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| Laurent Guyénot, La Lance qui saigne: Métatextes et hypertextes du ‘Conte de Graal’ de Chrétien de Troyes | ||
| Ann McCollough | 70 | |
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Sharon Kinoshita and Peggy McCracken, Marie de France: A Critical Companion |
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| Matthieu Boyd | 72 | |
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| David Lang, love fail | ||
| Joan Tasker Grimbert | 74 |
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| Nicholas Perkins and Alison Wiggins, The Romance of the Middle Ages | 76 | |
| Robert Rouse | ||
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| Carol L. Robinson and Pamela Clements, eds., Neomedievalism in the Media: Essays on Film, Television, and Electronic Games | 77 | |
| Nickolas Haydock | ||
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| Nicole D. Smith, Sartorial Strategies: Outfitting Aristocrats and Fashioning Conduct in Late Medieval England | 80 | |
| E. Jane Burns | ||
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