Table of Contents
(23.3)
| Verse and Prose in the Continuations of Chrétien de Troyes’ Conte du Graal | ||
| Massimiliano Gaggero | 3 | |
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The Communication of Culture: Speech and the ‘Grail’ Procession in Historia Peredur vab Efrawc |
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| A. Joseph McMullen | 26 | |
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| Jessie Weston and the Green Knight | ||
Daniel Nastali |
44 | |
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| King Arthur and His Knights for Edwardian Children | ||
| Velma Bourgeois Richmond | 52 | |
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| Envisioning the End: History and Consciousness in Medieval English Arthurian Romance |
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| Jon Whitman | 79 | |
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| REVIEWS | ||
| Susan Aronstein, An Introduction to British Arthurian Narrative | ||
| Siân Echard | 104 | |
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| Paul Battles, ed., Sir Gawain and the Green Knight | ||
| Michael w. Twomey | 106 | |
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| Lawrence Besserman, Biblical Paradigms in Medieval English Literature: From Cædmon to Malory |
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| Mary Davy Behrman | 109 | |
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| John M. Bowers, An Introduction to the Gawain Poet | ||
| Ad Putter | ||
| [ View Review ] [ Subscribers Only ] | 110 | |
| Nigel Bryant, trans., Perceforest: The Prehistory of King Arthur’s Britain | ||
| Karen Casebier | 112 | |
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| Neil Cartlidge, ed., Heroes and Anti-Heroes in Medieval Romance | ||
| Raluca l. Radulescu | 115 |
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| C. Stephen Jaeger, ed., Magnificence and the Sublime in Medieval Aesthetics: Art, Architecture, Literature, Music | 116 | |
| Tara Williams | ||
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| Catherine Nall, Reading and War in Fifteenth-Century England: From Lydgate to Malory | 118 | |
| Thomas H. Crofts | ||
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| John A. Pitcher, Chaucer’s Feminine Subjects: Figures of Desire in the Canterbury Tales |
119 | |
| Giselle Gos | ||
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| Seiji Shinkawa, Unhistorical Gender Assignment in La[y]amon’s Brut: A Case Study of a Late Stage in the Development of Grammatical Gender toward its Ultimate Loss | ||
| Mary Niepokuj | 122 | |
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| J.R.R. Tolkien, The Fall of Arthur | ||
| Shaun f.d. Hughes | 124 | |
| Christopher A. Synder | 135 | |
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