Table of Contents
(29.2)
| Preface | ||
| Alan Lupack and Barbara Tepa Lupack | 3 | |
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| ‘Who are the Britons?’ Questions of Ethnic and National Identity in Arthurian Films | ||
| Christopher A. Snyder | 6 | |
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| Queer as Folk | ||
Donald L. Hoffman |
24 | |
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]
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| Tristan in Film | ||
| Joan Tasker Grimbert | 47 |
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| A Connecticut Yankee at the Movies | ||
| Barbara Tepa Lupack | 64 |
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| Romancing the Cold War: America’s Atomic Narrative Gets Medieval | ||
| Susan Aronstein | 86 |
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Only ]
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| From Kids as Galahad to Kid Galahad | ||
| Alan Lupack | 102 |
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| REVIEWS | ||
| Glen Burger, Conduct Becoming: Good Wives and Husbands in the Later Middle Ages | ||
| Nicole Sidhu | 115 | |
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| Michael Calabrese, An Introduction to Piers Plowman | ||
| Rosemary O’Neill | 117 | |
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| Joe Cornish, dir., The Kid Who Would Be King | ||
| Alan Lupack | 119 | |
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| David Mackenzie, dir., Outlaw King | ||
| Andrew B.R. Elliott | 121 | |
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| Karen Sullivan, The Danger of Romance: Truth, Fantasy, and Arthurian Fictions | ||
| Laine E. Doggett | 122 | |
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| James Wan, dir., Aquaman | ||
| Susan Aronstein and Taran Drummond | 124 | |
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