Table of Contents
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| ‘No Mowth Can Speke Hit’: Silence and Inexpressibility in Sir Thomas Malory’s Morte Darthur | ||
| Alicia A. McCartney | 3 | |
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| How King Arthur Invented Christmas: Reimagining Arthur and Rome in Early Modern Scotland and England | ||
Kenneth Hodges |
25 | |
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| Chivalric Labor, Artisanal Labor, and the Productive Strike in The Knightly Tale of Gologras and Gawain | ||
| Schuyler Eastin | 43 |
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| The 2018 Loomises Lecture | ||
| The Evolving Iconography of the Tristan Legend from the Middle Ages to the Present, with Special Emphasis on the Arthurian Revival in British Art | ||
| Joan Tasker Grimbert | 66 |
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| REVIEWS | ||
| Venetia Bridges, Medieval Narratives of Alexander the Great: Transnational Texts in England and France | ||
| Levilson C. Reis | 105 | |
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| Jo Ann Cavallo, ed., Teaching the Italian Renaissance Romance Epic | ||
| Gloria Allaire | 106 | |
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| Sarah Elliott Novacich, Shaping the Archive in Late Medieval England: History, Poetry, and Performance | ||
| Daniel Sawyer | 109 | |
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| Larissa Tracy, ed., Medieval and Early Modern Murder: Legal, Literary, and Historical Contexts | ||
| Benjamin A. Saltzman | 111 | |
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| William T. Whobrey, ed. and trans., The Nibelungenlied: with The Klage | ||
| Michael Resler | 112 | |
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