Table of Contents
(29.4)
| Introduction: Performing Emotions in the Arthurian World | ||
| Raluca L. Radulescu | 3 | |
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| The Performative Function of the Socialized Body: Falling to One’s Knees in Hartmann’s Iwein and Erec | ||
Chloé Vondenhoff |
8 | |
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| ‘Al was hi sward, wat scaetde dat?’: Emotions and Courtly Cultural Exchange in the Roman van Moriaen | ||
| Frank Brandsma | 28 |
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| Evadeam, Gawain, Merlin: Penitential Transformation and Unseen Truth in the ‘Dwarf Knight’ Section of the Vulgate Cycle | ||
| Mikayla Hunter | 44 |
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| Extreme Emotions: Sir Gawain and the Carl of Carlisle and the Danger from Within | ||
| Raluca L. Radulescu | 57 |
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| In Memoriam: Necrology for Dhira Mahoney | ||
| Anita Obermeier and Georgiana Donavin | 74 |
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| REVIEWS | ||
| Ian Cornelius, Reconstructing Alliterative Verse: The Pursuit of a Medieval Meter | ||
| Andrew Galloway | 76 | |
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| Miriam Edlich-Muth, ed., Medieval Romances Across European Borders | ||
| Leah Haught | 78 | |
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| Sara Harris, The Linguistic Past in Twelfth-Century Britain | ||
| Scott Gwara | 80 | |
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| Geoffrey Russom, The Evolution of Verse Structure in Old and Middle English Poetry: From the Earliest Alliterative Poems to Iambic Pentameter | ||
| Ian Cornelius | 82 | |
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| Judith Shoaf, ed. and trans., The Quest of the Holy Grail | ||
| Ann McCullough | 85 | |
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| Alison Stones, Studies in Arthurian Illustration | ||
| Alan Lupack | 86 | |
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