Introduction | ||
Richard Sévère | 3 | |
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The Fragile Giant |
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Wan-Chuan Kao | 9 | |
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Romans, Celts, and ‘Others’: Residual Colonial Models and Race in Contemporary Arthurian Novels | ||
Amelia A. Rutledge |
40 | |
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Writing Arthur’s Shadow and Speaking Otherwise | ||
Matthew Xavier Vernon | 61 | |
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Broken Dreams: Medievalsim, Mulataje, and Mestizaje in the Work of Alejandro Tapia y Rivera | ||
Nahir I. Otaño Gracia | 77 | |
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‘Many straunge synges and tokyns’: The Affective Power of Sir Thomas Malory’s Palomides | ||
Kavita Mudan Finn | 108 | |
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An Arthurian Empire of Magic, and its Discontents: An Afterword | ||
Geraldine Heng | 124 | |
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THE ROUND TABLE: | ||
News and Notes from the North American Branch | 139 | |
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REVIEWS | ||
C. Girbea, M. Voicu, I. Panzaru, C. Anton, and A. Popescu, eds., Miroirs arthuriens entre images et mirages: Actes du XXXIVe Congrès de la Societé Internationale Arthurienne | ||
Amy E. Brown | 170 | |
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Ann Howey, Afterlives of the Lady of Shalott and Elaine of Astolat | ||
Roger Simpson | 171 | |
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Anna Karin, Männliche Hauptfiguren im ‘Tristan’ Gottfrieds von Strassburg. Characterisierung, Konstellation und Red | ||
Charles Taggart | 173 | |
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Tim William Machan and Jón Karl Helgason, eds., From Iceland to the Americas: Vinland and Historial Imagination |
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David F. Johnson | 175 | |
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Joanne Parker and Corinna Wagner, eds., The Oxford Handbook of Victorian Medievalism | ||
Kevin J. Harty | 177 | |
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