| Introduction
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| Laurie A. Finke and Martin B. Shichtman |
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3 |
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| Devilish Ways: Sexing the Subject in the Queste del Saint Graal |
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11 |
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| Two for the Price of One: Courtly Love and Serial Polygamy in the Lais of Marie de France |
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33 |
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| Cracking the Penile Code: Reading Gender and Conquest in Alliterative Morte d'Arthure |
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56 |
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| Sodomy, Misogyny, and Displacement: Occluding Queer Desire in Sir Gawain and the Green Knight |
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77 |
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| No Pain, No Gain: Violence as Symbolic Capital in Malory's Morte d'Arthur |
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| Laurie A. Finke and Martin B. Shichtman |
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115 |
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134 |
| [ View Newsletter
] |
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| Reviews |
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| Christopher A. Snyder, Sub-Roman Britain (AD 400-600): A gazetteer of sites |
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142 |
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Review ] |
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| Robert J. Bjork and John D. Niles, A Beowulf Handbook |
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143 |
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Review ] |
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| Robert J. Bjork and John D. Niles, A Beowulf Handbook |
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145 |
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Review ] |
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| Nancy Vine Durling, ed., Jean Renart and the Art of Romance |
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146 |
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Review ] |
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| Gerard J. Brault, Rolls of Arms-Edward I (1272-1307) |
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147 |
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Review ] |
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| Paul Rockwell, Rewriting Resemblance in Medieval French Romance: Ceci n'est pas un graal |
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150 |
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| Lynn Staley,, ed., The Book of Margery Kempe |
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152 |
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Review ] |
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| Joan Ferrante, To the Glory of Her Sex: Women's Roles in the Composition of Medieval Texts |
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153 |
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Review ] |
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| J.F. Verbruggen, The Art of Warefare in Western Europe During the Middle Ages from the Eigth Century to 1340 |
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155 |
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| Paul Bryars, In a Pig's Ear: A Novel |
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156 |
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| Norris Lacy, A Camelot Triptych |
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157 |
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| The Quest for Olwen Directed by Valeri Ugarov |
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159 |
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Review ] |
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